MalstenThe Story
Rites of Passage album cover — a painterly blood-red corridor with an anguished face and ghostly forms

Act III · Album

Rites of Passage

Chapter V–X

The Story

Months have passed since the killer barely slipped through the grasp of vicar Aghardt. Winter sets its claws into the countryside, but the priest refuses to give up on his hunt. He stalks frozen moors and rime covered meadows, frantically searching, grasping at shadows.

Somewhere in the back of his mind he knows that also he is fleeing, escaping from a dark truth that he does not want to face. The deeper into the dark wilds he wanders, the more they seem to speak to him. Do they hold the answers?

Chapters

  1. A dark, painterly oil painting of the Nix — a muscular bearded figure emerging from roaring water

    Dead of night the hunt is on Heavy feet on frosty ground Pounding in his skull The devil must be found

    A life in ruins left behind Past the point of no return Demon and man Both will have to burn

    On a frozen throne River roaring to the moon A bewitching man Fiddle plays a lonely tune

    Do you feel it in your soul A truth that you don’t want to hear The only way, my little child Embrace the thing you fear

    On a frozen rock Slowly waking from a dream Lies a broken priest In the middle of the stream

    A final prayer He starts to weep A sinking book Into the deep

  2. A vintage photograph of a mill grain hopper marked No 3 with an arm reaching toward it

    Dreaded path Up the hill The only sense Deepest chill

    Cloak so thick Between the seams An icy touch From morbid dreams

    Baleful mist Covers all Through the fog The devil’s call

    At the gate Hunters den Wings above Turn again

    Enter my halls, be so kind Leave all your troubles behind Lay down your soul in my hand That is the price I demand

  3. A grainy black-and-white photograph of three large church bells in a wooden belfry frame

    Lord, i cant hear you Though the night is cold and still Just the unrelenting call From the devil on the hill

  4. A dark, eerie image of a woman in period dress and apron hovering with her feet off the ground

    His lantern flickers On rotting boards Illuminating A precious hoard

    In nooks and crannies The hidden truth His fingers clutching A little tooth

    The scent of flowers Familiar tones And then he sees her Beloved crone

    A house of bones A purple bruise Around her neck The devils noose

    A fire roars Into the night The wings ablaze Their final flight

  5. A sepia meadow landscape under an overcast sky with a circled-cross grave marker in the foreground

    The dream we shared The sounds of pattering feet Was to be crushed A bloody sheet

    I failed you then, my love And in your place An empty husk, my love That bore your beautiful face

    Now you are gone for me And all that remains

  6. A sepia, textured photograph of a wrought-iron cemetery gate flanked by tall poplars and bare branches

    Face to face Once again, again, again We are at the end For both of us No return, no way back We are the end Submit to me Grovel in the dirt Where you belong We are at the end The blood is dry Wings are still Millstone cracked We are at end

    See the gates before you Thats your own purgatory Not to heaven nor to hell But the end of your story

    You and me Side by side, at last We are at the end Of brick and stone Walls are thick Your new home We are at the end Where you belong There’s no god No demon song We are at the end The closing act Wings are still Millstone cracked We are at the end

    See the gates before you Thats your own purgatory Not in heaven nor in hell But the end of your story

    Saint Laurenti In his halls Cursed sanctum Padded walls